Can't you just see Harley Davidson stamped across the bottom left corner? I know it may not be a Harley but it has that raw look. I like the subtle tonal variation in the intricate column on the right juxtaposed to the cement on the left. The white posts set a natural frame for the motorcycle making a good composition. The eye is drawn into the motorcycle, but makes a pit stop on the column and rock, and pipes. The wheel in the bottom right take your eye for a loop and channel the focus outward in a radial directions.
Friday, July 9, 2010
Composition
Can't you just see Harley Davidson stamped across the bottom left corner? I know it may not be a Harley but it has that raw look. I like the subtle tonal variation in the intricate column on the right juxtaposed to the cement on the left. The white posts set a natural frame for the motorcycle making a good composition. The eye is drawn into the motorcycle, but makes a pit stop on the column and rock, and pipes. The wheel in the bottom right take your eye for a loop and channel the focus outward in a radial directions.
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